| AGFACHROME
RSX II 50 Professional |
Good
saturation
Great sharpness and detail |
| FUJICHROME
VELVIA
50 Professional (RVP) |
Excellent
vivid color scenics
Very popular with pros |
| KODAK
EKTACHROME 64 Professional (EPR) |
Bright
colors. For
landscapes
& daylight portraits |
| KODACHROME
64 (KR) |
Excellent
quality image
Wide latitude, sharp |
| KODACHROME
64 Professional (PKR) |
Great
color balance
when processed immediately |
| AGFACHROME
CT PRECISA 100 |
Sharp,
intense color brilliance
Very good grain consumer film |
| AGFACHROME
RSX II 100 Professional |
Very
sharp, fine grain
Good color saturation and tones |
| FERRANIA
SOLARIS CHROME 100 |
Good
color saturation and grain
Sharp consumer film |
| FUJICHROME
ASTIA 100F Professional (RAP 100F) |
Natural
delicate hues, true skin tomnes and
saturated colors |
| FUJICHROME
PROVIA 100F Professional (RDPIII) |
The
finest grained
pictorial film today |
| FUJICHROME
SENSIA 100 (RA) |
Nice
skin tones & fine detail
Replaced the Sensia II |
| FUJICHROME
VELVIA 100F Professional |
Very
good for lanscapes, better shadow detail than the 50 classic |
| KODAK
ELITE CHROME 100 (EB) |
Vibrant
colors, pleasing skin tones
Excellent amateur film |
| KODAK
ELITE CHROME EXTRA 100 (EBX) |
As
the one above but w/higher
sharpness. Crisp contrast |
| KODAK
EKTACHROME 100 Professional (EPN) |
Cool
neutral
color balance |
| KODAK
EKTACHROME 100 Plus Professional (EPP) |
Enhanced
color saturation
over the above |
| KODAK
EKTACHROME E100G Professional |
Very
fine grain
Extended tonal range |
| KODAK
EKTACHROME E100GX Professional |
Same
as above
except warmer |
| KODAK
EKTACHROME E100VS Professional |
Dramatic,
vivid yet
natural
colors. Very sharp |
| KONICA
CHROME R-100 |
Good
color, grain, detail,
contrast and stability |
| AGFACHROME
CT PRECISA 200 |
Accurate
colors, fine grain,
although a bit less sharp |
| AGFACHROME
RSX II 200 Professional |
Excellent
general purpose film
of the RSX II family.
Pushable. |
| FUJICHROME
SENSIA 200 (RM) |
Very
good for slide projection,
natural colors |
| KODAK
ELITE CHROME 200 (ED) |
Enhanced
colors, sharpness
Pleasing tones |
| KODAK
EKTACHROME E200 Professional |
Rich
colors, great sharpness
Very fine grain, pushable to 800 |
| KODACHROME
200 (PKL) Professional |
Very
sharp, good colors
No latitute at all |
| FUJICHROME
PROVIA 400F Pro (RHPIII) |
For
indoors and mixed lighting
or twilight |
| FUJICHROME
SENSIA 400 (RH) |
Similar
to the Provia,
for the mass markets |
| KODAK
ELITE CHROME 400 (EL) |
A
fine film
for low daylight |
| KODAK
EKTACHROME 400X Professional (EPL) |
Exceptional
sharpness, warm
For low light action |
| KODAK
EKTACHROME P1600 Professional (EPH) |
Pushable,
from ISO 400 to 3200
with reported good results |
|
| "T"
slide film, for 3200°K Tungsten light: |
|
| FUJICHROME
64T II Professional (RTP II) |
Ideal
for copy and portrait work
under tungsten lighting |
| KODAK
EKTACHROME 64T Professional (EPY) |
Fine
studio film
For long exposures |
| KODAK
EKTACHROME 160T Professional (EPT) |
Excellent
image quality
and color rendition |
| KODAK
ELITE CHROME 160T (ET) |
Very
good image quality
Amateur version of EPT |
| KODAK
EKTACHROME 320T Professional (EPJ) |
For
shooting in TV & movie sets
Grainer |
